Anna Karinvinge
Interdisciplinary artist and educator whose research explores non-human narratives within the critical framework of the postnatural. Her practice combines audiovisual production, speculative writing, and multispecies inquiry, focusing on organisms and memories that inhabit the margins —pigeons, cockroaches, algae, foxes, and other overlooked life forms— as a way to question structures of control, erasure, and domestication.
She holds a degree in Fiction Directing from ESCAC and a Master’s in Digital Direction from the Royal College of Art (London). She has developed a professional career in audiovisual directing, collaborating with international brands such as Nike, Carolina Herrera, and Timberland. In 2025, she took part in the Postnatural Institute Programme, an international research space that critically addresses anthropocentric narratives in cultural, scientific, and political discourse.
Her teaching approach conceives the classroom as a space for collective research where vulnerability, error, and discomfort are integrated as critical tools for artistic learning. She envisions teaching as a living laboratory of contagion, risk, and care, in which each student can develop their own visual languages. In parallel, she pursues personal research on the postnatural, understood as a way of seeing what remains outside dominant narratives: rejected organisms, hidden architectures, and marginal intelligences.