Filmmaker, editor, and educator specialized in documentary cinema and experimental audiovisual practices. His work weaves together archive, memory, and the audiovisual essay to question dominant narratives, with a focus on feminist, queer, and peripheral stories.

Trained in Documentary Filmmaking at ESCAC and holding a Master’s in Editing from Pompeu Fabra University, he has taught seminars on first-person cinema, documentary devices, and archival re-signification at various institutions.

His pedagogy is rooted in project-based learning and collective reflection in small groups, integrating theory and practice to support creative processes with a horizontal and critical approach.